Dead Man Talking — Hassan Blasim’s short stories

The Corpse Exhibition and Other Stories of Iraq
Hassan Blasim
Penguin
Translated from the Arabic by Jonathan Wright

 

What is left when a place dies a thousand violent deaths?

A million stories sprout over the graveyard. Each narrator is a Scheherazade (of One Thousand and One Nights), except none of them is compelled to tell a tale for fear of being killed. Some of them have already crossed over to the other shore and even the 18114111-_uy475_ss475_ones living know death to be staring them in the face. Yet the emotive force — mind-bending and magnetic — of the voices echoing through Hassan Blasim’s short stories forces the listener/reader to be pulled into their universes — macabre and enigmatic as they are.

I felt the sharp stab of Blasim’s storytelling knife in The Corpse Exhibition — the very first story in the collection. Written in the backdrop of the Iraq War, the story puts a chilling spin on the practice of displaying executed bodies in public. The narrator, evidently the boss of an organization curating the corpse exhibitions speaks in a clinical tone to a prospective new hire. The emphasis on the aesthetics of displays — one of the top pieces the boss cites is that of the corpses of a breastfeeding mother and her child both naked placed under a dead palm tree with not a trace of wound — layers the story with a degree of perversion that’s so disturbing it is riveting.

Read the rest of the review here.

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