Bhimpalasi

A faint note of his flute.
An abstracted Radha
wanders through a
flower garden. She loses
herself in his strains.

Why do you wander
in the forest looking for
him, Kabir teases. He’s
everywhere, in everything.
Entwined in your very being.

Bhimpalasi courts me even
now. Still as shy. Still
as persistent. Soft. Plaintive.

I seek like Radha. Sometimes I
Find like Kabir.

Malkauns

Radio waves dance between
sleep and the half light
of dawn. Yawning, Ma adjusts the
knob to wake up the station. The man
on the radio invokes the Mother in
gravelly chants. Malkauns,
waiting in the wings,
takes the stage. The beginning
begins.

Far away, in another lifetime,
a temple bell rang. The devotee,
crazy for a single glimpse of the
lord, cried his heart out. “Don’t
shatter my hopes; leave me not.”
The dark-skinned god stood still.
Wobbling across decades
of palsy, an old man’s feet
breathed life into its
stone.

Malkauns moves mountains. Cripples.
Stony gods. An adored mother goddess
and her carousel of
children. It moves sleepy heads
into a dozy trance. Malkauns
moves dark nights of the soul
into mornings that must
awaken.

Yaman

First published in Saaranga

It comes with autumn’s
surreptitious footfall. Each
Alaap a waft of incense
Smoke, rarely a thunderstorm.

The oxygen of light
Slowly dissolves. With It,
the room. Yaman, like its
teevra Madhyam, persists,
cementing itself in wall
corners, sustaining
the breath.

Hours deepen. The
sun’s diurnal imperiousness
becomes a laughable hoax.
Vision loses its clues. The
world is lost, an illusion
one had given in to. Bypassing
The eye’s stubborn pathways,
Yaman rows the ears and flows
Right into the heretic heart.

No one claims darkness
better than Yaman.

Notes of Eternity: Rabindranath Tagore

                                                                                                                          Calcutta |May 2, 1895

A nahabat recital can be heard playing somewhere today. A morning nahabat makes the heart quiver strangely. I haven’t been able to discern the significance of the unspeakable state that envelopes one’s mind when listening to music. And yet, every time the mind attempts to dissect that state. I have noticed that whenever beautiful music plays, the moment its intoxication hits the soul, this world of life and death, this land of arrivals and departures, this world of work, of light and darkness recedes into a distance — as if across a vast Padma River — from where everything appears as if it were only a picture.

road nature trees branches

To us, our everyday world doesn’t always appear to be the most well balanced. A tiny fraction of our life might seem disproportionately huge, our hunger and thirst, daily squabbles, rest and labour, petty annoyances besmirch the present moment. Music, with its beautiful intrinsic equilibrium, can, within moments make the world stand in a perspective where the small, transient imbalances disappear. With music, a whole, vast and eternal balance transforms the entire world into a mere image, and man’s life and death, laughter and tears, past and future land in the present to play in one’s ears as the meditative rhythm of poetry. With that, the intensity of our personal tendencies decrease, we become puny and immerse ourselves without strain into the immensity of music.

Small and artificial social ties are useful to function in the society, yet music and other evolved art forms instantly show us their insignificance, making every art somewhat antisocial. This is why listening to a good poem or song quickens our hearts, tearing asunder social formalities and igniting in the mind a struggle that seeks the freedom of eternal beauty. Anything beautiful stirs in us a conflict between the fleeting and the permanent, causing us a certain inexplicable pain.

Poona | May 6, 1895

Nahabat: A temple music tower. Musicians sit on the upper story and play during festivals and sometimes at the time of daily worship. (Source)

Translated by Bhaswati Ghosh

Photo by Pixabay on Pexels.com

Manj Khamaj

A soothing sadness, the colour
of mellow afternoons, glides in.
Tears soak stationary hours
and passing cataclysms.

Annapurna’s and Ali Akbar’s fingers strum
gritty strings. Particles of bizarre
are spliced together in
a dystopian harmony. For now.

Negotiating years and terrains
Manj Khamaj keeps breathing.
A footsure confidant. In its
folds, wars lose their way.

The notes explode into a million
neurons. Flames of a ravaging fire,
accrued. The jhala races restlessly
like brittle rain swathing scars.

Ahir Bhairav and 2 more poems

First published in Saaranga

Image result for black and white bird images

1.

AHIR BHAIRAV

Morningness bathes you. Grandfather’s
Arms rise skywards. The newspaper-man
hurls elastic-clasped, rolled-up
headlines into the porch. Mother
lights the stove to wake up milk.

Ahir Bhairav takes you to a place
so empty, it’s full. The absolute centre
of nothingness. The beginning of
all beginnings. A lighthole.

In a slowly-igniting corner of your mind,
your guru’s saintly beard unspools.
You can hear him talking about the sadhu
who devoted his life to the service of Bhairav,
the primordial sound. Your guru’s smile is
a cryptic message now.

Vilayat and Imrat lead you with strings.
Unscratched morning flows into
a cowshed. The uniraga sadhu still
befuddles, but with Ahir Bhairav, you
partake in a fraction of his madness, his
self-absorbed samadhi in the lighthole.

The school girl dreams. One day she’ll tune
her voice to the throat of the songbird
whose call mocks the cage of age.

***

2.

FISH OUT OF WATER

Water was the first traitor she came
To know. It didn’t drown her.
Seasoned traitors seldom do that.
She was the river’s sibling-child, knew
its mood swings, joaar and bhata
like she did her night terrors, throat-clasping.
Easy to forget once the grip loosened.

When father spread his net over
its body, the river heaved through
the mesh, packing fish into its giant
mouth. She should have known then
What it is to be thrown onto dry
Ground. Gasp. Wriggle. Writhe. Succumb.
Forget that water ever nestled your breath.

The river’s betrayal came not in abandoning her.
It did when it became a concrete mesh,
And she, a fish in the city’s sewage tank.

***

3.

UNTITLED

A long-dead poet brings home truths to the work desk.
Mid-day ennui seeks lunch break and a walk in the park.
Between flesh and flight, the girl chooses to ride the breeze
Like kebab smoke trailing the gallies of purani Delhi. Careless, footloose.
Another dead poet dreams of a new day on earth, a more womanly day.
Old wounds find new ways of festering. Congealed blood rejects washing.
Rain harnesses in megapixels tears that no longer wet hearts.