On Durga’s Migrant Trails
Note: This personal essay appears in The Four Quarters Magazine. To read the full essay, please visit the December issue of The Four Quarters Magazine and turn to Page 82.
A group of children–between six to eight years in age–sat on a dusty rug on the ground with drawing sheets on boards before them. After drawing out scenes depicting one of the three theme choices provided to them, they furiously pushed crayons over the penciled sketches. My brother was one of the contestants of this on-the-spot- painting competition, interestingly called “boshey anko protijogita” in Bengali, literally meaning sit-and-draw contest. He drew a Christmas scene, having chosen the theme, “Your favourite festival.” A couple of hours later, when the results were out, he had real reason to celebrate– he had won the first prize.
There was nothing unusual about this except his choice of festival; the contest was part of a Durga puja celebration. Given that most of the festival entries depicted the ten-armed goddess and her rejoicing devotees and a few portrayed Diwali, which would approach in less than a month, the judges must have been either too brave or too liberal to adjudge a Christmas image as the best entry.
Was this because the venue of the puja and therefore the contest was outside mainland Bengal, in Delhi? I can’t really tell, for I was born and raised in what bonafide Bengalis call probaash–a sentiment-laced word for foreign land.
Photo source: Hinduism.about.com